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Should you have encountered problems with your painting, glazing may be the answer. Often a particular section of your work may seem pretty lifeless – for example it may be that it looks flat and the brightness and the glow does not seem to shine through.
This is a very disappointing result for the artist. Sometimes it can be because the artist has used too much turpentine as a medium, or may just be bad paintwork. Everybody has days where things do not go just as you intended. This is the challenge you face when you paint.
Possibly people have always tried to glaze their paintings since time began almost. For me glazing is an essential part of my work as it always serves to enhance your painting. To put it in layman’s terms for everyone to understand you will come to realize it has many uses.
So for me it is very valuable. For starters it will bring together as one, certain parts of your work, or even just a small portion of it. This gives you the opportunity to create greater depths, and a ready glow, particularly for trees, mountains, flowers,etc. Somehow it just brings your painting to life
How you use it depends, but it can add warmth to your work or on the other hand, make it look colder. What it amounts to really, is, laying a thin film of colour on top of another. This way the under-colour shines directly through. A bit like glass really.
However the first layer needs to be completely dry before you proceed, or you will have problems with intermingling shades. Obviously the colour you place on top has to be a transparent one.
You will have come to realize now that this is a very important step of your work. It can bring about the feeling of distance and space, but also adds strength and purpose to your work. I love using it as it seems to successfully bring my work to a happy conclusion.
I would not say that glazing is ever easy. It takes plenty of practice with your colors to achieve a satisfactory result. You just have to keep trying to reach your goal.
Let’s get experimenting! You need to find your colors to inspire you. What you should now do is try a stronger shade over a paler one. So how about trying a dark green over a very pale yellow and just look at the effect you get. Purple over yellow is pretty good.
Do not, whatever you do, mix your color with a white when you are glazing. Keep it really pure. If you use oil as a medium you can rub this on really thinly. Just remember to keep it pure!
Although, I might add, that other artists that I fraternise with, use a layer of gel. For me red is a very vibrant colour. Therefore I like a stronger red than I find in a normal palette. So what do I do? You’ve got it, I lay one red on top of another. Yes, as far as it goes I think the finished effect is fabulous!